IGCSE (First Language) Writer’s Effects Practice 1, November 2019
Passage A:
Creative writing class
Stan has
decided many years after leaving school that he would like to join an adult
creative writing class. This is the first lesson.
Stan’s pen was ready to write. ‘A limerick,’ the
tutor had said, ‘is a five-line poem. Lines one, two and five rhyme. Lines
three and four are shorter and they rhyme.’ Stan knew that the true definition
was more technical, but was happy that this activity wasn’t going to be too
challenging.
He thought back to his arrival at class today. A
group of 10, they’d sat in a circle with Sumitra, the tutor, who asked the
students to introduce themselves and share their reasons for joining the class.
The first person was Miss Roberts, who stated confidently, ‘I intend to be a
published writer!’ before turning a beaming smile on others of lesser ambition.
A thin, young man told the group his name was Robin before muttering a few
words that Stan couldn’t quite catch, but which Sumitra seemed to understand,
as she nodded and smiled. Stan tried desperately to find the words that would
accurately sum up his own reasons for being there. Sometimes memories of
childhood were restricting and you needed to unfetter yourself.
He was
momentarily transported back to his school English class.
A stern face presiding over the ranks of desks
pulled young Stan to attention. Stan adjusted his position in the hope that the
larger child in front of him would completely obliterate his own unworthy
existence. Stan wore his English test results like an army cadet’s besmirched
tunic buttons, emblematic of deep failure and shame: today’s results would
surely underline the pressing need for his demotion to an even lesser division.
The face at the front contorted itself into a triumphant smirk and its voice
poured over him like hot coals.
With a
struggle, older Stan dismissed that particular memory back to where it
belonged.
His pen poised
itself to write again. Sumitra had said to write a limerick using your name.
‘There was an
old man called Stanley
And everyone
thought he was manly …’
This was straightforward. Stan giggled with
rising confidence, causing Sumitra to look over and nod her encouragement and
Miss Roberts to raise a quizzical eyebrow. Stan gleefully scribbled lines three
and four.
‘You can be
Superman
Oh, yes you can
…’
Oh no.
‘Banly, canly, danly …’ The pen shuddered to a
halt and Stan felt horror clutch at his stomach as the last line completely eluded
him. ‘When we’re ready, can we get back into our circle?’ came Sumitra’s cheery
request.
‘Go away!’ Stan
told the smirking face, as he dragged his chair back to the circle.
Sumitra was understanding. ‘No one has to read
their poem out unless they want to.’ Robin immediately announced that he
wouldn’t be reading his out. Stan was so relieved not to have to expose his
failure that he hardly heeded the readings of the others, apart from the work
of Miss Roberts (‘Myfanwy: remember my name’), read with such passion and gusto
that it received excited applause from the other students. Sumitra, looking
rather disquieted, said the whole class deserved congratulations, and invited
them to email their finished work to her during the week.
At break-time,
Stan found himself in the presence of Miss Roberts as he sipped at his water
bottle.
‘Hello, I don’t
know your name, but, as you know from my limerick, I’m Myfanwy,’ she smiled.
‘You never
could write poetry, could you, Stanley?’ sneered the smirking face.
Suddenly a teapot, from which Robin had been
pouring tea, performed a rebellious leap and crash-landed next to Miss Roberts.
All looked on horrified as tea pumped heavily out of its gaping-mouthed spout,
some splashes landing on her arm. She shrieked while Stan did the only thing he
could think of, and poured the remainder of his water bottle over her arm.
Robin danced dejectedly around them, proffering paper towels and abject
apologies, while Sumitra asked calmly if medical assistance was required.
Within minutes
Miss Roberts announced that she was fine. She smiled weakly at Stan.
For the rest of the session, the class discussed
the definition of poetry and whether free verse1 could be called
poetry. Stan thoroughly enjoyed it and joined in the debate vigorously, though
he noticed the tutor giving encouragement to Robin, who looked rather bemused
and demoralised. It was only as Stan stepped out through the door at the end of
the class that he realised he knew the last line for his limerick:
‘And nobly rescue
Myfanwy.’
He would
definitely email that to Sumitra. He slammed the door on the smirking face.
1free verse: This is a form of poetry that doesn’t have to take a particular shape,
rhythm, metre or rhyme.
QUESTION
Re-read the descriptions of:
(a)
Stan’s
memories of his school classroom in paragraph 4, beginning ‘A stern face …’
(b)
what
happened at break-time in paragraph 16, beginning ‘Suddenly a teapot …’
Select three
powerful words or phrases from each paragraph. Your choices should include imagery.
Explain how each word or phrase selected is used
effectively in the context.
Write about 200 to 300 words
Format:
a)
First paragraph (short): Opening Thesis
Mainbody: May
be one or two paragraphs to explain the effects of three selected words or
phrases.
b)
First paragraph (short): Opening Thesis
Mainbody: May
be one or two paragraphs to explain the effects of three selected words or
phrases.
.
Suggested
answers (You must use paragraphs):
|
(a)
Stan’s memories of his school classroom in
paragraph 4, beginning ‘A stern face …’ |
|
|
Opening Thesis: |
The general effect is that Stan remembers the shame of
his failure to succeed in English when younger. |
|
|
|
|
|
|
|
stern face presiding
over ranks of desks (image): remembers |
|
|
the serious expression of
teacher, authoritarian, military leader, |
|
|
rows of soldiers, power,
control, stifling creativity, Stan’s |
|
|
fear/vulnerability |
|
|
pulled (young Stan) to attention: got his complete and total |
|
|
focus,
military command, suggesting speed with which Stan |
|
|
reacts |
|
|
(completely) obliterate: annihilate, utterly destroy, Stan’s terror. |
|
|
unworthy existence: doesn’t deserve to live, little
merit |
|
|
(like) an army cadet’s besmirched tunic buttons (image): |
|
|
ashamed of poor results, unfit for military parade, exposed to the |
|
|
derision of others and/or anger
of his elders/superiors |
|
|
emblematic (of deep
failure and shame): signalling his lack of |
|
|
success for all to see, symbol
of disgrace |
|
|
underline: emphasises, drawing attention
to, shows up his error |
|
|
demotion to an even
lesser division (image): relegate, he will |
|
|
be dropped to a lower
class/position; draws attention to his |
|
|
shame |
|
|
contorted: twisted (in an ugly way);
malice, derision, cruelty of |
|
|
former teacher |
|
|
triumphant smirk: victorious, smug smile, teacher
takes |
|
|
pleasure in Stan’s lack of
success |
|
|
poured over him like
hot coals (image): words caused |
|
|
emotional anguish, physical
burning pain, causes deep scarring |
|
|
(b)
what
happened at break-time in paragraph 16, beginning ‘Suddenly a teapot …’ |
|
|
Opening Thesis: |
The general effect is of an
overly dramatic and/or humorous reaction to a relatively minor incident. |
|
(performed a)
rebellious leap (image): Robin has dropped the |
|
|
teapot, disobedience of
inanimate object, resisting Robin’s |
|
|
authority over it, nervous |
|
|
crash-landed: fell forcefully, emergency
landing, teapot smashed |
|
|
(all looked on)
horrified: extremely
shocked, aghast, alarmed, |
|
|
witnesses at the scene |
|
|
pumped heavily: great spurts, gushed,
(exaggerated) huge |
|
|
volume and force of liquid |
|
|
shrieked: piercing high-pitched sound,
expression of pain, terror, |
|
|
melodramatic |
|
|
gaping-mouthed (spout): astonished expression, shocked |
|
|
danced dejectedly: dispirited, jigging about,
agitated, useless |
|
|
proffering paper
towels: hold
out for acceptance, peace |
|
|
offering, meek attempt to make
amends, hopeless efforts |
|
|
abject apologies: saying sorry, heartfelt
expressions of regret, |
|
|
humiliated |
|
|
asked calmly: unruffled, unshaken, composed. |
|
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